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Push the Boundaries
Cameras & Equpment
RED ONE CAMERA #5018

Camera body #5018
PL Mount & Nikon Mount
(4) RED Drives (3) 16GB cards & (8) 8GB Cards
20-100 Cooke 35mm (4K)
8-64 Canon (2k) Super - 16
12-120 T2.2 Zeiss Macro(2k) Super - 16 W/ Wide angle Mutar Adapter
O'connor Ultimate 2060 Fluid Head W/ Mitchel base tripod, Standards, Baby, Hi-Hat
Electronic View Finder & 5.6" LCD
Origo remote start/stop
Element Technica BNC bracket
Extra cables for everything
(6) RED batteries, (3) dual chargers & AC adapters
6x6 Arri swingaway Mattebox & 4x4 Chroziel Matte Box & Follow Focus
Arri base & Top handles
RedOne 4k camera

(Nikon mount REDONE or with Redrock M2 adapter)
Nikon 20mm 
Zeiss 25mm
Zeiss 35mm
Zeiss 50mm Macro
Zeiss 85mm
Zeiss 100mm Macro
Nikon 180mm
Nikon 80-400mm
Nikon Macro bellows
Holga lens Nikon mount
Pinhole lens Nikon mount

(Nikon mount REDONE or with Redrock M2 adapter)
Nikon 20mm 
Zeiss 25mm
Zeiss 35mm
Zeiss 50mm Macro
Zeiss 85mm
Zeiss 100mm Macro
Nikon 180mm
Nikon 80-400mm
Nikon Macro bellows
Holga lens Nikon mount
Pinhole lens Nikon mount

REDROCK MICRO M2 35MM LENS ADAPTER
*HVX200 rented separately.


$400 per day including an amazing set of Zeiss and Nikon lenses.

The Redrock adapter works beautifully with my HVX P2 camera. It allows you to use fast 35mm to give you a shallow depth of field. Here is an example of footage shot with the Redrock and the HVX.
PANASONIC HVX200P 1080i P2 Camcorder


Shooting P2 $450 / Day
(Any of the following formats are possible)
-DVCPRO HD (High Def 1080i/60i, 720p/60p, 720p / 30pn, 720p / 24pn)

-DVCPRO50 (Standard Def 480i / 60i)
-DVCPRO (Standard Def 480i / 60i)
-DV (Standard Def 480i / 60i)

Shooting DV tape $350 / Day

DV Tapestock, 1hr record time (if tape used is $15.00 ea.)

P2 Footage can be transfered off to my Panasonic P2 Store ($100.00 per day) for upload to your computer later. It reads and transfers the P2 footage faster than real time so the cards may be reused over and over. It has a 60gb HD and is run either by battery or AC power.

We can also use a firewire hard drive to download HD footage to. The drive does not have to be blank. It just needs enough space for the footage. I can either loan one to your project which can be returned to me when you are done uploading or you can bring one of your own if you would like. Periodically, I or my P2 camera assistant will need to spin the footage off to HD. This process is simiar to changing a film mag. Folders are created on the download drive and your footage is dropped in nicely organized.

A third option, if we need to be recording HD 1080 non stop for a long period of time, we can use a FireStore FS-100 Drive. The drive is an additional $150.00 rental per day, but will allow 1.5 hours of record time.

*the cool thing about doing the P2 (if you have not used it before) is that when you get to editorial you just drop it onto the timeline of your non-linear system and skip all log and capture / uploading. So, it's a process where you need to make some choices upfront (format, data transfer etc.), but it saves a lot of time later in post.
Aaton LTR-54 Super-16mm sound film camera.
Color tap, precision speed control, PL mount, 5 mags, 5 on-board batteries, Zeiss 12-120 Super 16mm lens, Chrosziel matte box, extension eyepiece, and more. Inquire for package price.

My Aaton has been busy shooting commercials for AIG, State Farm, Island Insurance, Queens Hospital, First Hawaiian Bank, etc.. We took the Aaton to Illinois to shoot 4 commercials for Swedish American Hospital for Shooters Film Production. The shoot went fantastic and stills can be found on my Behind Camera page.

Aaton cameras are excellent for shooting handheld, very comfortable and very quiet. Aaton cameras were just used recently for the filming of March Of The Penguins.
JIMMY JIB TRIANGLE

*6 different lengths 3ft (.9m), 6ft (1.8m), 12ft (3.6m), 18ft (5.4m), 24' (7.3m) and 30' (9.1m) (At 30' reach, jib height = 33ft (10.6 m)

*Remote head system with pan, tilt, zoom, focus, iris and VTR/camera start/stop.
*Color AC/DC 16x9 swichable NTSC Sony 8042Q Monitor included.
*Can hold any video or compact Panavision, Arri, Aaton or Moviecam camera (50lbs max)
*4 Wheel dolly with off road wheels / or 3 wheel off road dolly

*4 Point leveling head, makes leveling fast and easy
*Includes transportation on Oahu
*Operator and/or technician required depending on size (not included in the jib rental price).
*Can be shipped interisland



30' Extreme    $900.00

24' Super Giant Plus    $700.00

18' Super Giant    $600.00

12' Giant    $500.00 (Bowl head/no remote $225.00)

  6' Standard
$400.00 (Bowl head only / no remote $175.00)


  3' Stub
$300.00 (Bowl head only / no remote $150)

Dolly Track Wheels $50.00

*See additional requirements below.

Kualoa Valley HFS

(24' Super Plus) Jimmy Jib Triangle at work for a Hawaiian Electric commercial
Additional Requirements:

* A certificate of insurance and rental agreement are required before production for all equipment. Purchase order of 50% deposit upon signing of contract. A 4.712% Hawaii Excise tax will be applied to all billing.
* General cleaning charge: Heavy dirt or dust; $125. Mud, Sand or Rust $175.
* Weekly rates on packages: 3.5 day week
* Call for shipping prices inter-island.
* With enough lead time: Jib can be shipped Inter-island Young Brothers barge $120 each way.
GlideCam V-8

The Glidecam V-8 revolutionizes the world of camera stabilization by finally bringing and advancing the technology of body motioned camera stabilization to cameras weighing up to 10 pounds.
Simply combine one of the new lightweight Digital Camcorders with a Glidecam V-8 and you'll have one of the best video acquisition tools available. The Glidecam V-8 Professional Camera Stabilization System allows you to walk, run, go up and down stairs, shoot from moving vehicles and travel over uneven terrain without camera instability and shake. The glidecam V-8 is designed primarily for use with lightweight video camcorders like the HVX200. The Glidecam V-8 is perfect for shooting the type of super smooth tracking shots that take your audience's and client's breath away. The V-8 instantly adds high production value to every scene. With the V-8 camera stabilizer you will be able to produce the type of ultra smooth handling shots that until now were only achievable with very expensive Steadycam rigs. When it comes to the art of stabilizing cameras that are very lightweight, it quickly becomes apparent that the main virtue of a body-mounted system is that it allows you to shoot for long periods of time with very little fatigue.
(Blonde not included)